shure ksm8 vs ksm9

None. Warning: Turning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. There is a widespread popular belief that the microphone is a mature technology that hasnt seen any significant development since the studio heydays of the 1950s/60s/70s (delete according to your favourite musical decade!). Sweetwater Sound, 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 Get Directions | Phone Hours | Store Hours, If you have any questions, please call us at (800) 222-4700. The KSM8 is not necessarily an upgrade. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it. $12.39 ($2.48/Count) XLR Cable 6 FT/4 Pack, Microphone Cable 3 Pin Nylong Braided Balanced XLR Male to XLR Female Heavy Duty Mic Patch Cords. Crucially for a live condenser, theres also a suspension shock mount. Where you hold the microphone in relation to your mouth can make a big difference in sound. New Loops Releases 'Twin 3 Pro Expansion' 30% off intro discount! Exceptional consistency across all frequencies, providing more gain before Dual gold layered, low-mass Mylar diaphragm design, Switchable polar patterns (supercardioid and cardioid). They even look similar, with tapered handles and squareish divided metal grilles. Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Shure KSM9 Cardioid and Supercardioid Condenser Mic. Mic stands reduce any handling noise in the studio. There is no doubt in my mind that the Shure KSM8 Dualdyne handheld dynamic is a superior microphone for live vocals. As mics go, Shures SM series are about as reliable and predictable as it gets, and so we were expecting a similar sound and behaviour from the KSM8. For a condenser, different polar patterns are achieved by changing the backplate voltage, shifting the capacitance, etc., - these manipulations are essentially . Shure Tech Portal open_in_new. KSM8/B: Superior dual-diaphragm dynamic microphone with a black finish. Sound Quality. Theres still a noticeable proximity when youre right on the grille, and here plosives still creep in, but nevertheless, for terms of ease of use, youre getting a much more predictable, consistent sound in a variety of positions. The Neumann is also slightly more sensitive than the Shure, but it does have a similar max SPL. With a decent sound system, the KSM9 is startlingly clear and detailed. Good Luck! I think the Shure is a little brighter in character, whereas the Sennheiser is a bit more pronounced in the low-mids. The downside is that the KSM9 seems to pick up everything on stage.. but it doesn't color them, so doing some additive mixing, using the mic bleed as . Its a little more sensitive than a dynamic mic like the Shure SM58, but a far cry from the high sensitivity of some studio condensers such as the AKG C414. The Sennheiser also has a slightly larger diaphragm than the Shure. Best for: Small touring applications, classrooms, office meetings, or fitness instructors on the go. mic. As a premium vocal microphone, the KSM9 captures vocal subtlety with extraordinary detail to deliver clear articulation, functional flexibility and precise vocal reproduction for . I prefer the KSM9 over the Beta87C. Most industry standard desks or interfaces are capable of providing phantom power, which is sent through the XLR cable to the microphone. It also has a -10db pad which can be switched on if a vocalist needs a little less sensitivity. What is the output level difference between Shures Beta 87A and SM58? However, when the stage gets more aggressive and louder, you will need theimproved rejection and gain before feedback of supercardioid. Meet the KSM8 of house Shure, Inc., the Valyrian steel sword in my arsenal. And although the smooth midrange suited the guitar cab, on snare drum we really missed the boost in brightness that an SM57 brings. As lead vocalist of prog metal band im in doubt between the dynamic KSM8 and the KSM9.. What would you recommend? The KSM9 is a two-channel microphone, meaning that it has two diaphragms, which are each made up of a membrane and a coil. Unlike with other mics, both patterns of KSM9 work flawlessly. Aside from its precious, gold layered, low mass diaphragm, KSM9 uses first class electric components for its preamplifier circuit. Taking its inspiration from Shure's classic Unidyne III capsule (that's the one used in the SM57, SM58 and others), this newly developed capsule aims to reduce the proximity effect, improve off-axis frequency response and rejection, and deliver . This mic has a very flat and even range through the mids, before gently climbing through the high range from about 3kHz. Q. ; chanel Internal shock mount and capsule stabilization mean minimal handling noise. The KSM9 has a dual-diaphragm design that provides accurate sound reproduction, and it also features a built-in shock mount to reduce noise and vibration. While the KSM9 offered Cardioid and Supercardioid patterns, the KSM9HS offers Hypercardioid and Subcardioid (wide cardioid), selectable via a switch under the grille. to maximise the magnetic field in a very small space and thus ensure an acceptable electrical output level. Shure KSM9/CG Dual-Pattern Condenser Handheld Vocal Microphone. You can easily make one of these out of stockings, or buy one here. SM7b is unique though, so dont expect you can get the exact same performance from another handheld. The unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones: With traditional microphones, low-frequency response increases as the performer moves closer to the microphone. The cardioid capacitor microphone was conceived in 1935 by Dr Hans Joachim von Braunmhl and Dr Walter Weber, both working for the Reichsrundfunk Gesellschaft (RRG Electroacoustic Laboratories) in Germany during the early 1930s. You can email the site owner to let them know you were blocked. Firstly, good live condenser mics, such as the KSM9 have internal shock mounts. This is to stop little bursts of air causing bassy pops on your studio recordings. Naturally, the latter influences the price greatly, and the KSM8 is consequently the most expensive moving-coil stage mic currently on the market. Nevertheless, we dont think this should detract from what is a beautifully made and classy performer from mic giants Shure. The Shure KSM8 is a dual-diaphragm cardioid dynamic mic designed primarily for vocal performance. How vulnerable are these mics to dropping on the stage? The casing has an integrated three-state pop protection grille, which acts like a pop-shield and reduces plosives, breath and wind noise. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush. Its most sensitive on-axis (at 0 degrees), but also picks up sound around 65 degrees either side of the mic. Spitfire Audio Hans Zimmer Collection. A Sweetwater Sales Engineer will get back to you shortly. Shure Product Manager, John Born, was one of the small development team that worked on the KSM8 project. Shure1 launch cloud_download BLX B/SHURE B/ PSM300 B (806810MHz . The KSM8 is unique in being a dual-diaphragm, moving-coil stage vocal mic. Electro-Voices product range now includes several Variable-D mics although the most iconic and recognisable is undoubtedly the RE20. The dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. The idea is that sounds from the rear take the same amount of time to reach the rear of the diaphragm through the labyrinth as they do to pass around the outside of the microphone and impact on the front of the diaphragm. The head of the mic is 49 mm (1.9") and it weighs in at about 300g (10.6oz). It has a cardioid pickup pattern, which means that it picks up sound from in front of the mic and rejects sound from the sides and rear. Well, at 429, this mic doesnt come cheap. BLX4 and BLX88 systems are throw-it-in-your-backpack wireless mic systems with portable receivers, great for getting around quickly. The Shure KSM9 is a condenser microphone, so it does require phantom power. The switchable polar pattern also gives you that extra control to tailor your sound to the vocalist and the environment. Condensers offer a brighter, more detailed sound, which is more faithful to the human voice. Overall it is a mid-flat mic with low-end roll off around 110Hz, and rather than a single 5-10 dB presence peak around 8 . This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability. Re: Shure Beta 87c Vs. KSM9. Shure KSM9 Multi-Pattern Condenser Microphone. Comparison of Shure KSM8 and Shure KSM9 based on specifications, reviews and ratings. Keep in mind, Heil mic is more sensitive, which is both a pro and a con. Whereas condenser mics are active meaning they need something called power phantom power. In isolation, the KSM8s sound character is very obviously far more natural and tonally balanced than either the Beta 58 or SM87A, and it is much, much easier to maintain a consistent sound quality and level when using the mic handheld. It is also equipped with a three-position bass roll-off switch that optimizes the microphones response for different applications. I work for a medium sized provider in the UK, we have 16 channels of UHF-R (a mix of UR4D and UR4D+). Notice the more even high-end response on the KSM8 and lower sensitivity to bass frequencies. Dual-diaphragm technology has important benefits for vocal work, which is why virtually every studio vocal is conventionally recorded with a dual-diaphragm (capacitor) mic. It has a 40 to 16000 Hz frequency response, a 300 output impedance, and a sensitivity of -51.5 dBV/Pa (1.85 mV) at 1 kHz, open circuit. But this mic is well constructed, and perfect for live performances which require that superior condenser sound. Exclusive deals, delivered straight to your inbox. Here we really missed the added proximity oomph, particularly for the guitar. The results were always stellar and we use the wireless versions of KSM9 on our singers with James Taylor to this day. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. The "C" version is the best of the 87 lot for female vocals in my experience and I think the KSM9 is a huge improvement over it. For a vocal dynamic mic, this is expensive. and if so what are your opinions. 5 stars: 28 %: 4 stars: Singers with quieter voices will find that a live condenser mic can better convey the emotion and intimacy of their performances. #Sweetwater #Shure OK, thats a very bold marketing claim, but actually, I dont think theyve over-hyped it. In a switchable-pattern capacitor mic the rear diaphragm is made electrically active, of course, and by changing the electrical biasing of the two capsule halves and combining the electrical outputs from both diaphragms, it is possible to create any desired polar pattern from omni through cardioid and on to figure-of-8. This can really work well for folk, jazz and classical styles. Both mics respond exceptionally well to lead vocals, with each having its subtle nuances and flavorings that are sure to deliver the goods in many different applications hear it for yourself! In practical terms, working the microphone in the normal way exhibits a far more consistent and balanced sound than would be experienced with, say, an SM58, which can go from distinctly boomy to noticeably thin with only the smallest of positional changes. This is like having two mics in one, and is a real bonus. This mic has all the detail and nuance that youd expect from a studio condenser. However, the output impedance is slightly higher than usual, at 300, and although this will technically mean a slightly higher noise floor than a mic with, say, a 150 output impedance, given the KSM8s intended application I think such concerns are completely irrelevant. . The Dummies Guide explanation is that the passive rear diaphragm acts as the first element of the acoustic labyrinth network, and provides significant compliance at low frequencies. Some sound engineers also favour the increased directionality of a supercardioid when recording drums or other instruments. 1.93 in. In effect, the passive diaphragms compliance acts to partially block or impede low frequencies from reaching the rear of the front diaphragm, thus altering the net pressure acting on the active diaphragm in a frequency-dependent way. BA1 1UA. Popular comparisons. Being music makers ourselves, we love geeking out on all things gear. As a condenser mic, the Shure KSM9 requires phantom power. Boston, Don't Let Dirty Power Ruin Your Recordings. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak. But with good noise-handling and clever engineering, the KSM9 brings all of these qualities to the stage. JavaScript is disabled. This helps reduce handling and stand noise, as well as offering some protection to the internal circuit. 2:33 Shure KSM9 Only All in all the KSM9 has a durable, carefully considered design. For comparison the SM58 only reaches 15kHz. This makes it almost identical in size to Shures KSM9 capacitor stage vocal mic. It may not display this or other websites correctly. https://www.Sweetwater.com/?utm_source=YouTube&utm_medium=Referral&utm_campaign=kVto8BKab0o. This helps maintain richness and definition in the bass, without it becoming overwhelming. Off-axis frequency response is very smooth. A max SPL of 152db is also a little lower than the SM58, but not drastically different to some of the other pro-level dynamic microphones (e.g. This is wider than most handheld dynamic mics, and is one of the main perks of using a condenser mic. 27 Wormwood St This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. A perfect choice for precise, intimate live vocals. Interesting Essay On Sampling Rights and Reforms. The KSM8 uses a dual-diaphragm moving coil cartridge with a cardioid pickup pattern. The diaphragm at the top of the capsule is a conventional active diaphragm with an attached coil of wire suspended behind it and sitting within a strong magnetic field. It has a warm sound that is perfect for female vocals or mellow tracks. It also helps to minimise high-frequency handling noise. The KSM8 microphone is available in a black or brushed-nickel finish. This means an even, predictable low-end as the distance from the mic changes. Thank you for your request. The younger sibling of the KSM9 is the Shure KSM8. This mic is highly dynamic and nuanced, making it the perfect mic for intimate folk, jazz or spoken word performances. And of these, the SM57 and SM58 are industry-standard around the world. BLXShure Quality at an Affordable Price for Basic Setups: $299. The Shure KSM9 runs best at this voltage, but can perform at voltages as low as 11 V DC. This is great for recording ambiences, or in a controlled environment like a recording studio. The Shure KSM9 is a well-known professional audio microphone, and the Neumann KMS 105 is a popular choice for home recording enthusiasts. We joined PA in 2018, becoming part of one of the world's most capable networks of researchers, strategists, designers, engineers, and scientists. AK8C. BACK. One of the very latest advances was introduced by American microphone manufacturers Shure at the Winter NAMM show at the start of this year, in the form of the worlds first dual-diaphragm dynamic handheld microphone, the KSM8. The views expressed are those of the contributors and not necessarily those of the publishers. Both mics have their pros and cons, so it can be tough to decide which one to buy. Both mics have very similar specs and a similar size, weight and design. The Neumann KMS 105 is a condenser microphone that has been designed for studio use. Happy customers, one piece of gear at a time! Click to reveal In the studio, a cardioid mic is probably all you need in a well-isolated vocal booth. Web site designed & maintained by PB Associates & SOS. Very well-defined cardioid polar pattern with minimal off-axis coloration and a deep rear null. I have heard good things about this capsule. The action you just performed triggered the security solution. AKG C414 The Ultimate Comparison: XLS vs XLII vs B-ULS vs EB, Re: The Behringer Keyboards 'n' Stuff Thread #3, Re: Mic Question M300 vs MKH 8040 or alternative. Dualdyne capsule continues the ongoing evolution of microphone technology. A25E. However, some singers will need more control over the way their voice sounds. All in all, the KSM9 offers a very happy medium. Now is the perfect time to get the gear you want with simple, promotional financing. 10 Albums That Are Complete Masterpieces According to You! This means that the strength of the sound emitted from the mic is dependent on the force used to push air through the membrane. However, what is new groundbreaking, in fact is the application of the dual-diaphragm configuration in a moving-coil capsule. KSM9 is also amazingly crispy and I find it quite amusing. Mylar is a registered trademark of E.I. As expected from professional equipment, youll get that superior quality and low noise levels. The KSM9 microphone typically runs around $700 in a wired configuration. Great care has been taken to ensure accuracy in the preparation of this article but neither Sound On Sound Limited nor the publishers can be held responsible for its contents. Shure KSM9 vs Sennheiser E965 for Vocals. Theres no on/off switch on the KSM9 or any of the Shure KSM range. The high end of the voice comes over with a smooth, neutral aspect, free from the almost resonant peakiness that most stage vocal mics deliver. Every single component is new this is no evolution from previous Unidyne capsules: it came quite literally from a clean sheet of paper and a lot of innovative thinking! Therell be less of the proximity effect, and the mic will pick up more sounds from other instruments, and the acoustics of the room. Review: Best Wireless Mics to date For pros & Noobs! The Shure KSM9 is a higher-end microphone that is known for its clear sound quality. It is also a great option for those who are looking for a microphone that is durable and easy to use. 5/8" to 3/8" (Euro) Threaded Adapter. The Neumann KMS 105 microphone is the choice for professionals who demand excellence in their recordings. Gone is the quite substantial midrange and high-mid boost, replaced by a much smoother and dare we say it more natural response, and although this seems lacking at first, whats missing is the borderline sibilance that an SM can easily exhibit. But guess you are looking more into a dynamic type of mic. This model is renowned and remains a favorite choice of many musicians. They call it a three-stage grille or simply triple grille. On the surface this mic looks very similar, with the same sleek design. Big venue or loud stage this mic will definitely cut through the . The lowest frequencies enter via the farthest entrance port, with mid and high frequencies entering through ports closer to the capsule. A very similar mic to the KSM9. With seven years of R&D costs to recover and some very advanced engineering, this mic is inevitably expensive in comparison to conventional moving-coil stage mics. Read Also >>USB VS 3.5mm MicrophoneUHF vs VHF wireless microphone systemsRode NTK vs. K2 MicrophoneNeewer NW 700 vs. Neewer NW 800Sennheiser e935 vs e945 Microphone Comparison. In terms of frequency response, the sound ofKSM9 is very well tailored, and it doessound much better than a typical flat-response condenser. I think the champagne looks very chic! This pattern is fairly forgiving of mic position and technique, whilst capturing detail. This website is using a security service to protect itself from online attacks. In my opinion, if budget allows, stretch to a KSM9. From the tweakiest techniques to the biggest ideas, our experts work hard to constantly supply inSync with a steady stream of helpful, in-depth demos, reviews, how-tos, news, and interviews. Shure KSM9. Shure's KSM8 has been custom-made for live vocal reproduction, providing the near-exact sound of your voice through a PA or recording desk. Great site. The Shure KSM9 is a fairly standard size and weight for a handheld stage mic. The D224 became the flagship model, but the D202 and slightly smaller D222 models were far more recognisable thanks to their very distinctive shape. There were four models in AKGs dual-capsule range, starting with the D200. Are some types more durable than other similar in the live performance category? Condenser mics are more often found in the studio, where they have the ability to capture small dynamic changes and high-frequency detail. Another drawback of sensitive microphones is that they often have a low maximum SPL. So if you need that extra sparkle and clarity to give your live sound the edge, then this could be the handheld condenser for you. When unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. Shure KSM9 has a fantastic quality and it gives a very natural sound. Elegantly crafted products that are simple, useful, and desirable. Have a question or request? Thats a tough one. . Always hold the vocal mic by the main body, and if theres too much sibilance, try holding it slightly to the side. But a mic like this isnt perfect for all situations. If you could choose for worship music between Shure KSM9, Neumann KMS 105 or Sennheiser E965, what do you prefer? What else do you need for your home recording studio? With solid internal engineering, it handles noise and feedback well. The Neumann KMS 105 is a great microphone for those who are looking for a high-quality sound. Condenser mics are a great choice for stage use as long as they have been designed specifically for live use. It is the successor to the popular KSM8, and it offers several improvements over its predecessor. The KSM8 is a dynamic microphone; the KSM9 is a condenser microphone. This might also be a good setting for backing vocals, to get more separation between neighbouring singers. In Summary. Sandusky, MI, United States (26) SHURE KSM9/CG/ Zippered Carrying Case for KSM8. Best mics for budget filmmaking and video production, 7 Best Headworn Mics for Wireless Systems Review. In fact there are only a couple of small (less than 3dB) ripples in the response (around 3 and 5 kHz), with a fairly steep roll-off above 12kHz. For example, AKG developed their D200 range of two-way or dual-capsule microphones in the late 1960s. In essence, this system guides sound of different frequencies to the rear of the capsule through three or four separate entry ports spaced along the length of the mic body, each incorporating frequency-selective damping. We have both b87c and b87a capsules for our handhelds too, but these don't see anywhere near as much use. Given the sensitivities of condenser mics, why would anyone risk using one on stage? Shures KSM8 introduces the Braunmhl-Weber dual-diaphragm concept into a moving-coil capsule for the first time, with substantial practical and sonic advantages for the live-sound market. There are many great microphones on the market, but two of the most popular are the Neumann KMS 105 and Shure KSM9. Check out the Shure KSM8 here:https://www.sweetwater.com/store/detail/KSM8N--shure-ksm8-dualdyne-nickelSubscribe to Sweetwater:https://www.youtube.com/user/S. You are using an out of date browser. This helps to achievean extremely fast transient responseand make the sound more vivid. Future Publishing Limited Quay House, The Ambury, In fact, for close sources, as the signal frequency reduces, the dual-diaphragm capsule behaves less and less like a directional pressure-gradient device, and more and more like an omnidirectional pressure-operated device.

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